The Vine
The Vine can be interpreted as a light-hearted allegory of love – the woman harvests the grapes for the wine that intoxicates the man. With his great technical virtuosity, Carl Larsson was excellently equipped to succeed in the Neo-Rococo genre, which relied to a great extent on the ability to paint with illusory brilliance. The Vine was bought by Herman Friedländer when it was shown at the Oppone…
Cruthaitheoir
Cineál míre
- paintings (visual works)
- http://udcdata.info/065280
- Visual Works (hierarchy name)
- Dearcealaíona
Cruthaitheoir
Cineál míre
- paintings (visual works)
- http://udcdata.info/065280
- Visual Works (hierarchy name)
- Dearcealaíona
Institiúidí soláthartha
Comhbhailitheoir
Ráiteas um Chearta Ceadúnas do na meáin sa mhír seo (mura sonraítear a mhalairt)
- http://creativecommons.org/publicdomain/mark/1.0/
Cearta
- Nationalmuseum, Sweden
Dáta cruthaithe
- 1884
- 1884
Bunadh
- Bequeathed 1920 by Mr Herman Friedländer
Aitheantóir
- NMB 400
- 24342
Meid
- Mått 60 x 92 cm
Formáid
- Watercolour. Diptych, in one frame with NMB 399
Bliain
- 1884
Tír sholáthair
- Sweden
Ainm bailiúcháin
Ar fáil den chéad uair ar Europeana
- 2017-01-11T14:09:39.109Z
An uair dheireanach a nuashonraíodh ón institiúid sholáthartha
- 2017-01-11T14:27:12.764Z